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The ATEM Mini Extreme ISO G2 is Blackmagic Design’s most advanced ATEM Mini to date. It combines 8 HDMI inputs, ISO recording, Thunderbolt, and 10G Ethernet into one compact unit—making it ideal for live streaming, studio production, and collaborative post workflows.

HyperDeck Shuttle 4K Pro and HyperDeck Shuttle 4K Pro 2TB— Key Features:

• Compact desktop form factor with large HDR touchscreen

• Traditional broadcast deck controls with tactile jog/shuttle dial

• Records to network storage or internal M.2 flash cards

• Supports ProRes, DNx, H.264/5 formats

• 12G-SDI and HDMI 4K inputs/outputs

• 10G Ethernet for blazing fast media sharing

• Built-in waveform, vectorscope, RGB parade, histogram

• HDR monitoring with Rec.709, Rec.2020, and DCI-P3 support

• Sync-ready with Blackmagic Cloud and DaVinci Resolve

• Advanced metadata tools and digital slate

• Touchscreen interface powered by Blackmagic OS

DaVinci Resolve 20 New Features Guide

DaVinci Resolve Studio 20 is now available at Coremicro. Packed with over 100 new features and AI tools, this powerful upgrade builds on version 19—and customers who purchased DaVinci Resolve Studio 19 can use the same license for version 20.

Blackmagic PYXIS 12K: Feature Highlights

• Full frame 36 x 24mm RGBW sensor, 12288 x 8040 resolution

• 16 stops of dynamic range

• Shoot in 12K, 8K, 6K, 4K, and HD

• Record in Blackmagic RAW + H.264 proxies

• Dual CFexpress slots, plus USB-C recording

• L-Mount, PL, or Locking EF lens options

• 4” HDR LCD touchscreen (1500 nits)

• Optional PYXIS 5” HDR monitor & URSA Cine EVF

• Built-in 12G-SDI, mini XLR, and streaming support

• 10G Ethernet, Blackmagic Cloud sync, mobile tethering

• Compact, CNC-machined aluminum body with mounting points
  

Blackmagic Design's ATEM Switchers 9.7 update introduces a downstream key tally override, Blackmagic Cloud uploads, SRT streaming, and Visca over IP camera control for up to 100 PTZ cameras. Additional enhancements include webcam source routing, live editing, network storage, and multiview customization, improving flexibility for live production workflows.

A unique feature of URSA Cine is the new full frame 12K sensor that features a multi scale design with symmetrical color filters that allow in-sensor scaling. Now cinematographers can shoot in 12K, 8K or 4K at the full sensor size. They can simply choose the resolution for the job or the shot they want! VFX plates can be shot in 12K while documentaries can be shot in 8K or 4K for lower data rates. Plus customers can also crop if they want greater depth of field.